Signed copies of 'Emerson, Lake and Palmer: The Show That Never Ends ... Encore'

Friday, August 2, 2013


Our sister imprint Foruli Classics will be publishing the definitive biography of ELP, Emerson, Lake and Palmer: The Show That Never Ends ... Encore. Written by George Forrester, Martyn Hanson & Frank Askew, and featuring a foreword by ELP drummer Carl Palmer, the book will be released on 12th August 2013. It is available to pre-order in paperback from

In the tradition of Foruli's limited edition books, there is also a numbered hardback limited edition. Limited to a mere 50 copies, each one is hand signed by Carl Palmer and features an authentication hologram. The signed limited edition is available now at



  Cover spread of ELP by Forrester, Hanson & Askew, Foruli Classics, ISBN 9781905792399


 Carl Palmer signing the limited edition hardback of ELP by Forrester, Hanson & Askew, Foruli Classics, ISBN 9781905792504. Copyright Foruli Ltd 2013

Carl Palmer signing the limited edition copies of 'Emerson, Lake and Palmer: The Show That Never Ends ...Encore', published by Foruli Classics


Drumming aficionados might want to take a look at video of Carl Palmer performing the prelude sequence to The Solo, a film by artist Andrew Cross featuring Carl Palmer. Impressive stuff.



Ronnie Lane, Multiple Sclerosis and ARMS

Thursday, May 30, 2013


Foruli recently received this piece from our friend Bucks Burnett, proprietor of The 8 Track Museum in Dallas, Texas and Roxbury, New York. Bucks talks about his friend Ronnie Lane, bass player in The Faces, and about The ARMS Charity Concerts of 1983, a series of gigs in support of Action into Research for Multiple Sclerosis.


Ronnie Lane in 1983. Copyright Bucks Burnett 2013.

"That little man right there is Ronnie Lane"

Copyright Bucks Burnett 2013. All rights reserved.


I really just wanted him to know that somebody cared. That's why I put together the box. I took an empty LP box from the back room of Peaches Records, where I worked as the shipping and receiving clerk, and walked around the floor asking my co-workers to put some money in, or write a message, or consider dropping in a small gift. Within a few days the box was full. I added a letter and a few poems I'd written. I then phoned every editor on staff at Rolling Stone magazine, which had just broken the news of his misfortune, until finally a sympathetic person gave me a UK mailing address for his charity. So off it went to London. To a company called ARMS. It stood for Action Research for Multiple Sclerosis.

About a month later the unexpected happened. I got a very nice thank you from the man I'd sent the box to. The weakened scrawl of his handwriting closed the note with, "I like your poems. Have you shown them to God?" It was signed by Ronnie Lane.

Shortly after the conclusion of the all star ARMS benefit tour in late 1983 I wrote another letter, to a different Ronnie. Ronald Reagan, President of the United States. His Chief Of Staff, James Watts, had just denounced rock and roll as an evil influence on young people. I asked President Reagan if he'd ever heard of Ronnie Lane, or Jeff Beck, Eric Clapton or Jimmy Page. I gently informed the leader of the free nation that a bunch of rock and rollers from Britain had taken time out of their busy schedules, toured America for free for two weeks and raised over a million dollars to help fight MS. "Are these the evil rockers Mr. Watts is referring to? Is he including his near-namesake Charlie Watts in his verbal attack? Because Charlie drummed for free, and the Stones usually pay him."

A month later, Ronnie Lane and I both received letters from President Reagan praising the efforts of all the musicians who had banded together in this courageous attempt to kill off a disease. Ronnie woke me up at 4 AM with a call from London and we had a good laugh about our letters from The White House. By 1985 the two letters from Ronald Reagan were hanging in the same house - the apartment I shared with Ronnie in Houston after he relocated to Texas, where he had opened ARMS America to fund the research that might defeat the disease that was slowly defeating him. I had gone down for a weekend visit, and he hired me to be his live-in butler.

One night we were talking yet again about the ARMS tour, at the tiny kitchen table covered in vitamin bottles, cassettes, glasses, bottles, etc. I told Ronnie I had photographed the opening night in Dallas but never developed the film. He insisted that we would get the pictures developed the next day. "Fine - first thing. But tell me, who was the first person to suggest the benefit concerts?" "That would be Boo” he said, exhaling some pot smoke. "She suggested it. She said that we should DO something about it."

Then he looked at me and said, "I like the way you ask me about these things. I can talk to you. Pete wants to publish my autobiography. Would you like to help me write it?" "Sure." "Great." He then opened his address book and to my utter shock phoned Pete Townshend and said, "I found the guy. Pete, this is Bucks," and handed me the phone. Pete gave me a stern lecture on the amount of work I was taking on and asked if I was absolutely sure I was up to the task. I assured him that I was. He said we had a deal.

The book was not to be. And the million dollars did not cure MS. Instead it became the focal point of a major scandal, by instead lining the pockets of Ronnie's manager at the time. And in 1997, Ronnie finally closed his eyes, and became something else, like in his song "Evolution," where animals and people and stones take turns becoming each other.

I still live in a world where I have to explain far too often who Ronnie Lane is, and what the ARMS concerts were about. It was the time a bunch of British music legends laid everything aside and played their hearts out. They said it was to fight MS. But I know the truth. It was really just to make a friend feel better, and they all joined Joe Cocker for the most urgent renderings of "With A Little Help From My Friends" that will ever be. They were facing the crowd, but playing for one. Ronnie Lane. They just wanted to let him know that somebody cared.

Thirty years later I find myself telling the story again. The story of a miraculous undertaking that would forever make liars of ignorant politicians who denounce rock and roll. The story of the tour that united all of them, and all of us, to help a friend, to fight MS. The money went south, and Ronnie Lane died. A lot of people think it's all quite tragic. But it can't be tragic. When friends unite to help someone out, that insane spirit of brotherhood brings something new into the world, a little jar of hope that wasn't there before. United spirits create a larger spirit, and nobody was more spirited than Ronnie Lane. Death took him from us. Death won the battle but not the war. I can still hear his voice. I can still see him smile. And he still makes me laugh. Because almost every night as another demanding day crawled to an end, he would look through the smoke at that tiny kitchen table and yet again say, "I love ya, ya stupid bastard!"

It takes more than thievery, death and disease to kill a quote like that. A great quote can live forever if enough people hear it.

Bucks Burnett. Dallas, May 2013


A note from Bucks:

There is no time like the present to alter and improve the future. That's how it's done. Several organizations are aggressively researching the treatment and cure of Multiple Sclerosis. If you would like to help you can find your local organisation on Google.

To learn more about Ronnie Lane, here are a few links:

Ronnie Lane information and discography

Ronnie Lane on Wikipedia

You can find videos of Ronnie on YouTube.

I highly recommend The Passing Show, an excellent documentary about Ronnie. It is available HERE in Europe and HERE in North America.

Radio interview: Mick Rock talks about Iggy Pop and the Foruli 'Raw Power' signed limited edition prints on BBC Radio London


Mick Rock was interviewed by Robert Elms on BBC Radio London on Monday 6th May 2013. Mick talked about photographing Iggy Pop in London in 1972, in Fulham and Kings Cross. Foruli has released a series of these images as limited edition art prints, each one hand signed by Iggy and Mick.

Click on the arrow to listen:

Sneak peek: New recordings by Glen Matlock for Foruli

Saturday, March 23, 2013


Glen Matlock, bass guitarist in the Sex Pistols, has recently recorded a 4 song EP to be released on 10" limited edition vinyl as part of his upcoming Foruli boxed set. The set will also include a hand-signed numbered limited edition book about the Sex Pistols' 1996 Filthy Lucre Tour. The book is Glen's memoir of the band's now-legendary first reformation tour, and will include his own previously unseen photos and memorabilia.

You can preview the EP by clicking on the arrow:

Foruli TV: Mick Rock talks Iggy Pop and 'Raw Power'

Friday, January 18, 2013


Foruli met with Mick Rock in New York on 18th January 2013. Mick signed the limited edition Raw Power and Death Trip prints of Iggy Pop, which had been signed by Iggy himself in Miami a couple of days earlier. Mick photographed the images on which these prints are based when Iggy and the Stooges played at the Scala in London in 1972. More information on the editions HERE.



Foruli photofile: Iggy Pop signs 'Raw Power' print editions

Wednesday, January 16, 2013


Foruli met with Iggy Pop in Miami on 16th January 2013. Iggy spent several hours signing the limited edition prints of Raw Power-era photos by Mick Rock, which have been overlaid with extracts from Iggy's own hand written lyrics for the songs Raw Power and Death Trip. The art prints will be released by Foruli in February in celebration of 40 years since the release of the album. More information HERE.


Available for pre-order: Iggy and The Stooges 40th anniversary signed art prints by Iggy Pop and Mick Rock

Wednesday, December 12, 2012


In celebration of 40 years since the release of The Stooges' seminal album Raw Power, Foruli is proud to announce the release of six strictly limited edition art prints created by Iggy Pop and esteemed music photographer Mick Rock. Each of the editions will be individually hand signed by both Rock and Pop. The prints will be released on 20th February 2013 - exactly 40 years to the day from the original album release date. Further details HERE.


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